2025/3/21 6 grade by Fran

Today, I toured with a group of quiet, sixth-grade students who, when they talked, had some very thoughtful responses. I only toured the 10:00 group. The students arrived late, so our tour was shortened. I started the tour with Palmyra because I wanted to connect the object to what the students were learning in class (Ancient Civilizations, Silk Road). I asked them to look closely at the work and write down what they noticed. Then they shared (very quietly); little discussion followed. I showed them pictures of Palmyra ruins before and after the most recent destruction. 

Next, we looked at the Mandala and furthered the discussion of the construction (making something) and deconstruction (destroying something). I then asked: what happened here? A couple of boys ventured into this, basically saying that something was made, then destroyed, and then remade into a different form. Interesting.

Then, off to the permanent collection room. I let them explore on their own and ask questions about various works. We then discussed the Oracle Bones.

At this point, I moved to Room 6 and let them explore independently. I hadn’t planned to stop in this space, so I had no activity planned.

Finally, it was close to 11:00, and due to a prior commitment, I had to leave, and Jane graciously completed the tour.

Felt very uncomfortable with this tour for various reasons. The students were wonderful, my colleagues were the best, and Lonnie was, as always, accommodating. But circumstances beyond any of our control made this a challenging experience: the bus was quite late, there were only three docents rather than 4 (one did not show up), and there were those “pivoting” moments when one is prepared for one thing and is forced to another. Add to the fact that this was my first tour in a while, may I have been a bit “rusty?” Without a doubt.

2025/2/20 6 grade by Nancy

This is the first time I tour Cai’s works with a younger audience, originally I planed to allocate sometime for them do some drawings , instead I carried a good and interesting conversation with both groups of students about the exhibition. The students were very excited about viewing and learning about oracle bones

2025/2/19 6 grade by Kathy

Used a variation of Fran’s idea in the pyramid room. Separately, they walked around the room, stopping at each video, painting etc. and writing down two words that came to mind. Then, each student would read a word from their list and the group would try to guess what they were describing.

I tried the poem idea in front of the Hercules painting as it was explained to us at the Docent Council meeting. I found that the printed form was too complicated for the group and they had no interest in this activity.

The students enjoyed being able to free range in the galleries as they worked on pair/share activities or other things. However, it is very difficult to keep them from getting too close to the art. Also, they enjoy gathering in a group around a painting but it seems like there are always a couple who would like to lean on the walls. Next time I will ask a chaperone to help me monitor that they do not lean or get too close.

2025/2/19 6 grades by Eiko

Drawing “Canvas on the moon” before showing Cai’s version. Ask students “what is the difference between your drawing and Cai’s artwork?”
For piramid art, I split students in “like the art group” and “not like the art group” then discuss why they like or dislike. They came up with many reasons.

2025/02/14 High School, Adult by Annette

I had a picture of a sand mandala so we could talk about what it represented (the video goes too fast):
means “circle”
spiritual symbol of universe
guide for meditation and the path to enlightment
Then we talked about the similarities between the actual sand mandala and Cai’s:
use of traditional/non traditional materials
customary destruction after completion
metaphor for impermanence 
compared it to his other works
Kids gave thoughtful responses

2025/02/14 High School by Annette

High school students are used to dealing with “primary sources” so I thought it is a good idea to introduce some of Cai’s own words into the tour:

INVISIBLE POPPY
“Maybe my work, sometimes, is like the poppy flower. It’s very beautiful, yet because of circumstances, it also represents a poison to society.”
What did he mean?
“Gunpowder has always been used for human destruction. But Cai creates beautiful drawings for visual pleasure. He sed the poppy flower as a symbol in his work. The poppy is a beautiful flower to look at, but it can also remind one of the drug trade that is destructive for mankind. Here, the appearance of the flower is nice, but something sinister lurks in the background.”
This picture also lends itself to the question:
Why does Cai call his work paintings?
color, line, positive/negative space, etc.

MONTAGNE SAINTE-VICTORE
“Dragons have symbolized the power of nature on earth and in the universe. They are also an incarnation of the dreams of humans to fly freely through the skies and oceans beyond physical limitations. Now, the fire dragon ascends higher in the sky from the rock slope rising from the earth as an undulation of a dragon, carrying the hope of contact between humans and minds beyond the earth. In addition, it represents an action of the universal spirit of humans seeking a return to the embrace of the universe.”

NON- BRAND
Cai referred to some of the modernist artists (ie Rothko) as developing distinctive “brands” that gained them recognition and in doing so, became commodities.
How would you describe Rothko’s brand?
What other popular figures in our culture have developed brands? 
In response Cai created a new technique to sandwich gunpowder (his “brand”) between a sheet of glass and a mirror. He says, “I used mirrors and glass to create a few large-scale iconic pieces. I deliberately placed their “brand” (referring to another artist) onto them and then used gunpowder to explode them. Actually, gunpowder has become a brand of mine.”
He titled his works “Non-Brand”

2025/02/13 6-8 Grade, High School

When Lonnie told me I had 2 minutes left, I stopped my tour and asked these 3 questions in conclusion:
What are your impressions of his artist?
What do you find most interesting?
If you could meet him and ask him a question, what would it be?

I really dislike the question, “Did you like the tour?”. It is a yes/no question with a predetermined, loaded answer. What is the person supposed to answer? It’s like fishing for complements.

2024/12/06 3-5Grade by Fran

Addendum: I forgot to mention one of the most rewarding moments of the tour. After the activity with Canvas to the Moon, I asked the students if they had noticed something odd on the “moon/eye.” They hadn’t. I pointed out the orange “dot” on the image and asked if they had any idea what it might be? One student looked intently at the spot, and I saw her mind mulling it over. Finally, she offered that it may be a volcano. I said, “Hmmm, a volcano.” She continued, “Perhaps it was a volcano exploding on earth.” She indicated that it may be like the volcano they had seen earlier (Ascending Dragon) and that since we were viewing from the moon, perhaps Cai was right in thinking that one could see an explosion on earth from the moon.

2024/12/4 High School by Kathy

– Used a laser pointer – passed it from student to student as they pointed out things and used it myself to show things.
– Had them carry clipboards and pencils from the beginning – came in handy whenever they would not talk.
– Used slips of paper with each slip having an open-ended question. Folded the slips into fourths so they could not see the questions. Working as individuals or in pairs, they chose a question and shared their answers with the group.
– Encouraged them to do a group photo where they were all reflected in the mirror of Canvas on the Moon.

Figure out how to deal with a group where no one is willing to talk – including to each other.